As the summer swelters on, some music competitions rose up while
others cooled off. Battle of the Bits
continued its trend of blunt and direct names for rounds with “You Did Not Get
This Far to Not Rock Out”. One track from this battle had a revealing title: “I
first submitted before this compo started”. On the other hand, Svetlana ran the
less descriptively titled “OHC#00898” and submitted the track “short-and-stupid”
to it for good measure. Meanwhile the Swapalbum
project was underway recruiting participants. Unlike most compos, the goal in
Swap is to pass along works in progress to multiple people, each contributing
to the track until it is complete.
Sonic
Zone Remix Competition rolled out another batch of remixes as it reached
round four of the Sonic Bracket. The road to glory became narrower as the
tournament funneled to two entries: Amphibious and Xenon Odyssey’s track
opens with mellow Rhodes action, and then opens up the soundscape to acoustic
drumming, synthetic riffing and undulating saxophone with piano. Rexy
and Phonetic Hero
began their collaboration with the familiar chips of the past before laying
down the beats amid a swarm of in-game sound effects.
JHCompo on Tuesday lumbered into the “Land of the
Dinosaurs” introduced by way of a narration backed by the Dinosaurs TV show theme song. dusthillguy was the first musical entry in, and
he delivered his usual flurry of eccentric clips and instruments. ProjektZero
return from hiatus to recite the definition of an extinction event, coupled
with layers of rhythmic tonalities. mistermv also came back to the party, rousing up
a sonic shrill leading into a cinematic score. Roseweave
submitted what at first seemed like a straightforward track, but trolls its way
into the entirety of George Clinton and The Goombas’ “Walk the Dinosaur”. At
the end of the listening party SonicThHedgog
played along on his guitar until he met his unfortunate demise to the jaws of a
T-Rex.
Thursday’s
OHC settled on the teachings of ob-li-di ob-la-da as “Life passes you
by”. In a rare display for OHC, the theme was accompanied by images: they
consisted of time lapse photography of moving vehicles. natsukashi started things off with a description
that seems scientific but at best contradicts itself; the song trips its way across
a field of breakbeats an ambience. LavenderHarmony sent up a lavish orchestral take on the
theme, noting that it could have benefitted from an intermediate section
between the first and second halves. IXI took a moment to
reflect on the meaning of time, but then put his thoughts aside for the sake of
groove.
An unofficial sub-theme for the night seemed to be abundance
of pianos: seventhelement battled his ailing computer to get his keys
going; A2Z dipped his
ivories into heavy delay and deep pads; Misael.K
ran what sounded like an ambulance siren throughout his tinkling notes; and DucksUnlimited sang over a recording of The Beatles’ “In
My Life”, known for its sped-up piano during the song’s bridge. Duosis
used gratuitous samples of Five for Fighting’s “100 Years” and capped it off
with an obscure Ali G clip before finally putting into some electro. Finally jarski
sent along a bonus track perhaps best described as he put it: “wind scene dnb remix”.
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