Doubles
Dash Compo 17 ignored the summer sentiment by having participants go back
to “School” as its theme. A storm rolled in through the area where the compo
organizer resided, further taking the fun out of the season. Level 99 and Wildfire prevailed
by making a song with explicit lyrics and an unintentional vocal resemblance to
“Weird Al” Yankovic. At the other side of the classroom, blastron and I
composed a somber dance pop song making use of several Minimoog V presets. Earlier
in the week ThaSauce also had a round of People’s Remix Competition
dedicated to the game The Lost Vikings.
sggod89 stepped up
to arrange the source material by turning it on its head; he infused the tune
with jazzy groove and reconstructed the piece in the process.
Dwelling of Duels
saw June end as the results of “Town Month” flooded in. As expected considering
the theme, a large number of RPGs had been remixed including a pair of Final Fantasy tracks, Dragon Quest and Skies of Arcadia. DoD's distant cousin OLRmageddon finished
up its round based on a “Racial Stereotypes” scenario. Captain
Hypocrite mentioned he would possibly join, and kept his word thereby becoming
the only entrant that month. His Super
Punch-Out arrangement stayed within realm of chiptune and asked the
question: “Do You Want Some Pizza-Cake?”
Sonic
Zone Remix Competition hit a snag of controversy regarding the voting of
the previous
week; in the end Rexy and Phonetic Hero lost by a
hair, spurring a mixture of reactions. Round four of the Robotnik Bracket picked up
thereafter, pitting Brandon
Strader against Gario.
This also caused some commotion due to the implementation of vocoderized vocals;
at best they fill up the soundscape, albeit unintelligibly. Brandon played to
his strengths, putting to use his live instrumentation and singing to convey a
sense of loss and confusion.
SDCompo reached the
end of round 67 with nine entries in a variety of styles. This was perhaps because of the wider selection of VSTs allowed for competition: FreeAlpha,
TAL-Elek7ro, MrTramp2, and Delay Lama. Meanwhile LLCompo: Battle 23 chose a theme
for the week that was unusual given the framework of the compo: participants
were asked to make original songs about video games. Leading the listening
party was an introduction by Captain Barbatar,
whose voice undulated from left to right as he murmured without aim.
JHCompo
on Tuesday marched off into the sun by way of its theme of “The Parade”. I
started off the proceedings with my usual narration, this time mixed on top of
the keyboard instrumental of “Robot Parade” by They Might Be Giants. chunter
bopped his way in with a ragtime-tinged piece composed of lo-fi synth sounds. SonicThHedgog settled on a two-shot of old works since his workstation
crashed: the first bangs along in the style of dubstep heavy in reverb; the
second is more in line with electro house drenched in piano. irrelevnt pleased the crowd working out layers of sharply juxtaposed
instruments and clips, mostly in a salsa style. Finally Duosis
forwent any attempt to compose, and merely uploaded a song from an episode of Reading Rainbow.
Thursday’s
OHC brought the past week full circle on the subject of birth, life and “a
new beginning”. On that note, or perhaps a dissonant note clashing against it, sci worked out some
detuned chords and sliced up some breakbeats. Resonantwaves
suffered a crash and seemed to continue sci’s precedent of pads and an ethereal
mood. Several contestants referenced birth in their song titles: “(BIRTH)” by A-zu-ra warmed over
some chips for adequate ambience; “Time Reborn” by OMGitslewis held
a vaguely marchable flair; and “rebirth red” by SupaSpeedStrut
ran delay over everything. Near the end of the listening party Roseweave put
together a seemingly straightforward piece of electronica, although the
elements seemed to jostle at the finish.
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